This week I am particularly interested in Achille Mbembe's "Necropolitics" and Randall Williams's introduction to
The Divided World.
1) Interestingly enough, I believe Mark Driscoll's
Absolute Erotic, Absolute Grotesque: The Living, Dead, and Undead in Japan's Imperialism, 1895-1945 takes one of its jumping off points from Mbembe's "Necropolitics." I read Driscoll's book last year in a class on Japanese imperialism, and it's a good example of how to use Mbembe's ideas for something much larger.
In the book, Driscoll wants to "foreground the ways human and nonhuman resources stolen from colonial and domestic peripheries, together with excessive profits jacked from colonized renters and subaltern wage laborers, built Japan's imperial behemoth" (6).
Driscoll cites Mbembe, for example, here:
Reframing Marx's language and transcoding it into the mass cultural discourse of Tokyo in the 1920s, capitalists depend on the mugging grotesque of the living, erotic labor of subaltern and proletarian others for their very existence. Although some of the secondary and tertiary effects of Japan's imperialism could arguably be construed as "modernizing" for those who still accept that idiom, the suffering of colonized subaltern laborers enduring existential states Mbembe (2003) defines as "being-in-pain" was its primary cause. [. . .] So in this book I link dialectically the necro-logic of expropriation--colonial pillage and capitalist profiteering, what I call, following the Japanese sociologist Akagami Yoshitsuge (1931), the grotesque--with the bio-logic of creative, desiring life, what I call, after Minakata and his followers, the erotic. (6-7)
Driscoll does this complicated thing going from biopolitical (subjectivities left to fend for themselves or living labor), neuropolitics (commodified, dead labor where the subject lives for commodities rather than for life), to necropolitics in very much the Mbembian sense (undead death or subjectivities who are de-ontologized and killed off).
So I think there's a lot we can do with this but i'd like to go over some questions, like what does Mbembe exactly mean in becoming a subject (14)? He says the human becomes a subject "in the struggle and work through which he or she confronts death. [. . .] Becoming subject therefore supposes upholding the work of death" (14).
2) in working with both Mbembe and Williams, there is also the ideas of sovereignty and decolonization movements. Sovereignty, according to Mbembe, is the "power and capacity to dictate who may live and who must die" (11). how can sovereignty work with decolonization? the obvious way it works is that decolonized subjects are taking sovereignty and basically power over their bodies/lives back into their own hands. but from there, what? do we run into the problems that mieville brought up with property and enclosures, that the sovereign is the singularity that merely follows in the path of what came before in terms of labor and property?
Richard Falk notes that "human rights progress, while definitely subversive of statist pretensions in certain key aspects, still remained generally compatible with the maintenance of existing geopolitical structures of authority and wealth in the world and, as such, exerted only a marginal influence" and mainly looked "outward to identify abuses in Communist and Third World countries" (qtd. in Williams 16), much less in their own backyard in the Pacific.
so to that end, are sovereignty and decolonization at odds? if they work together as they do in the hawaiian sovereignty movement, can this lead to decolonization and something more?
i feel like there's something more to this but can't tease it out....
3) hey, finally got around to looking up that DEFEND HAWAII thing. This is the
website and this is what they say about their products, which are mostly tshirts and apparel with the logo:
Our mission is to DEFEND HAWAII
Hawaii is often referred to as ‘the melting pot’ because our diversity in PEOPLE as well as cultures. When Hawaii is home base, literal location is not a factor. The familiar tread, tying us, is always ALOHA. DEFEND HAWAII simply strives to preserve the notion, to DEFEND the Aloha Spirit, the Hawaii way of life. Wherever you are, you’re PROUD to be from Hawaii, representing the culture and it’s essences.
Our AR-15 Logo is often questioned, but a gun is the strongest symbolized statement for the word DEFEND. The logo is not meant to provoke violence, but rather figuratively suggest protection by the highest means. We’re here to plant the proverbial seed, initiate a positive thought process. To Defend Hawaii, is to Defend Aloha..